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DYB124 - DESIGN MANIFESTO - Michelle Waller

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As the world continues to evolve every day‭, ‬the future of our world seems to have a stimulating viewpoint that humans can'‬t help but wonder about‭. ‬We often ask ourselves‭,  ‬why are we here‭? ‬What is the meaning of this world‭? ‬I believe the true meaning is becoming interconnected with one another through the means of design‭. ‬Design is a catalyst for change‭. ‬Creating things is a matter of the soul‭, ‬and is something humans have always found great joy in‭. ‬As history recalls‭, ‬design has been a vital tool to connect humans to each other and enlighten us on the future that is waiting‭. ‬The opportunities are simply endless on what we can do‭, ‬but it is important to think critically of the outcomes of these creations to our world‭. ‬

As a designer‭, ‬it is vital to humanity that you consider the complexities of the world when designing‭. ‬There is not just one right way to design‭, ‬but many avenues and perspectives that need to be explored so that we aren'‬t being ignorant to the problems of our world‭. ‬
Design for Good
A good designer considers all viewpoints‭, ‬not just their own when designing‭. ‬Design with empathy‭. ‬Being empathetic towards others'‬‭ ‬opinions and experiences and collaborating with one another is a key element to human-centered design and is vital to designing for human's benefits‭. ‬Your goal should be to send a positive message into the world‭. ‬The most successful design outcome can‭ ‬only be accomplished when you are empathetic with the environment and community you interact with‭. 

Think Plurality
When designing‭, ‬avoid designing for stereotypes‭. ‬Exceed the normative‭. ‬Embrace various viewpoints as diversity of opinions and experiences increase creativity‭, ‬which leads to innovation‭. ‬One must be held responsible and accountable for their own actions and follow their fundamental values‭. ‬

Take Risks
It is vital for a designer to create experiences through experimentation‭. ‬All design is experimental‭, ‬and to be innovative‭, ‬you‭ ‬must try new things and test your skills and techniques‭. ‬As a designer‭, ‬you are constantly progressing‭, ‬and you should look to learn from your mistakes and use them to your advantage to look forward to designing for a better future‭. ‬You should aim towards‭ ‬human-centred design instead of adding to overconsumption with artefact-centred design‭, ‬many designers miss the mark on this‭. ‬

Be Curious and Adapt to Change
Curiosity and adaptability are fundamental values when it comes to design‭. ‬One must be curious to experiment new things and create change‭. ‬These values should manifest into your life as you must be curious when designing to experience growth‭. ‬One must be willing to adapt to change to strive towards a better future‭.‬

Visual Communication
Visual communication has a significant power to affect people‭. ‬Designers must be perceptive about the messages they are promoting when working for companies‭, ‬and always ensuring they are meeting the ethical standard‭, ‬as many designers miss this‭. ‬Overconsumption can be encouraged by unethical advertising‭: ‬positive advertising should be the only way designers use their skills to strive towards a better future‭. ‬

In my future as a designer‭, ‬I seek to send a positive message to the world‭, ‬to reiterate the fundamental connection between human and nature‭. ‬Design is all around us‭. ‬It is with utmost importance that as designers‭, ‬we learn from our environmental surroundings and understand the consequences of our designs‭. ‬

Everyone is interconnected through design‭. ‬No matter race‭, ‬gender or culture‭, ‬design manifests in everybody's lives‭. ‬Design brings out the splendours of our world which are often overseen‭. ‬Design is the reason we are here‭, ‬to bring people together‭. ‬

If these values are followed by designers‭, ‬as a world‭, ‬we are heading for a better future‭. ‬Design is interconnected through each‭ ‬and every one of us‭, ‬and that is why we are here‭. ‬We must design with meaning and be constantly curious of the world around us‭ ‬to work towards change‭. ‬

REFERENCES
Craswell, P. (2020). What is Speculative Design? - The Design Writer. Retrieved 1 November 2021, from https://thedesignwriter.com.au/what-is-speculative-design/

Rodrigo Freese Gonzatto, Frederick M. C. van Amstel, Luiz Ernesto Merkle & Timo Hartmann (2013) The ideology of the future in design fictions, Digital Creativity, 24:1, 36-45, DOI: 10.1080/14626268.2013.772524

Stephanie Wilson, Lisa Zamberlan; Design for an Unknown Future: Amplified Roles for Collaboration, New Design Knowledge, and Creativity. Design Issues 2015; 31 (2): 3–15. doi: https://doi-org.ezp01.library.qut.edu.au/10.1162/DESI_a_00318

Taboada, M. (2020, September). DYB124 Design consequences: Ontological Design.

Taboada, M. (2020, August). DYB124 Design consequences: Pluriversal Design Part 1.

Taboada, M. (2020, August). DYB124 Design consequences: Pluriversal Design Part 2.

Terry Irwin (2015) Transition Design: A Proposal for a New Area of Design Practice, Study, and Research, Design and Culture, 7:2, 229-246, DOI: 10.1080/17547075.2015.1051829
DYB124 - DESIGN MANIFESTO - Michelle Waller
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DYB124 - DESIGN MANIFESTO - Michelle Waller

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